I received the acrylic drying retarder medium and it significantly improved color fluidity and line work. It was especially good for using with the very fine 3/0 brushes. Using it, I noticed I had more control in general and was able to play with line weight more readily. I also prepared two larger panels over the weekend, and I’m now waiting for a package with flow increasing medium and black gesso to experiment with a black background layer.
This week my time is more limited, so I’m going to prepare armatures for the Protoa series. I finalized Protoa A in color. I like how it resolved as an experiment for the large scale models. I made paper clay as well, trying it on a couple of small flower shapes, but didn’t like its workability. It’s sandable, so before I rule it out, I may try sanding the small pieces to see if it’s still worth using. I may also try augmenting the traditional flour and water recipe used on Protoa A with PVA glue to make it more durable.
PROTOA A 20210409 Acrylic on prepared papier maché armature